HBO: Six Feet Under – Obituary

The last episode was one of the most heartbreaking and tender things I’ve ever seen.

Here, HBO has actual obituaries … well, don’t go looking if you haven’t seen the episode yet. But when I ran across them just now, I gasped.

It’s miraculous, when you can feel so close to fictional characters. I’m not a sap for stuff like this, really. But Alan Ball is a bloody genius.

No, more than that. It’s not just intelligence that made this show work. It was courage to map the real contours of human hearts.

Bah. That sounds cheesy. But I don’t care.

If you’re a freaky stalker type, you can take a trip to the actual address of Fisher & Sons, at least according to the obituary from a few weeks ago.

In this article, BW has a friendly chat with Michael Graves about his industrial designs. He waxes about how important it is that designs be more useful.
Michael Graves: Beyond Kettles

I realize Graves’ designs are a lot of fun. I realize his work with Target brought an awareness of beautiful (or at least whimsical or interesting) everyday product design to the middle class.

I also realize that he’s now in a wheelchair (because of a sinus infection? damn, that’s scary … I’m stocking up on decongestants) and is a very nice man.

But I’ve had several Graves design items from Target, and I’ve never liked any of them. For example, the clock-radio. The button functions are simply bizarre. They’re labeled so subtly (so as not to interfere with the sleek look of each part) that one has to lean a few inches away from it in order to read their functions.

The one under the minutes adjusts the hours, and vice versa. The pretty little semicircle of buttons under the display controls the two different alarms, but it’s really hard to tell how they work. They’re too small and hard to press without pushing the clock off the endtable. The sound of the radio is mediocre at best. And there’s little rhyme or reason to much of the design in general.

But it is definitely cute.

Newsday.com: Synthesizer innovator Robert A. Moog dies at 71

I remember when I first encountered a Moog synth. My grade school was hosted at a huge suburban Christian church around Atlanta, and the music minister there was also our music teacher. One day he took us into the cavernous “sactuary” and pulled the vinyl cover off of a space-age contraption with knobs and plugs and dials and what seemed to me an absurdly small keyboard — somehow the smallness of the keyboard next to the piano beside it registered just how futuristic and new-paradigm this thing was. I must’ve been eight or nine.

The teacher went on to play with it and show what it did. I was blown away. Since then I’ve been fascinated with all such things, though I’ve never bought one or even played one. Still, it was one of those childhood moments that’ll never leave me.

Once I heard an interview with Moog on NPR and jotted this quote down:

I don’t design stuff for myself. I’m a toolmaker. I design things that other people want to use.

This seems to me to be quintessential Design thinking: the fact that a guy who innovated something so futuristic and unconventional managed to remain committed to the principle of “use by others.”

Sleep well.

David Milch is my new hero. His incredible work on Deadwood is one of the great works of (literary? dramatic? cinematic?) art in the 21st century. And I’m not one who is normally given to such statements. Honestly, I think that extremely well-made “series” such as Six Feet Under and Sopranos that have a coherent long-term story arc over four or five years are *the* new great art form that we’ll look back on in 10 or 20 years and say “damn the 90’s and 2000’s were the golden age of that.”

Anyway, Milch is amazing. Anybody who has heard an interview with him or seen the commentaries on the Deadwood DVD’s has to either be a stone idiot or completely enthralled with the guy.

In this interview I found from 2002, I discover that he studied under Robert Penn Warren, managed to kick a heroin addiction, and was an even bigger part of the best years of NYPD Blue than I realized.

Here’s a link, and a quote I found awfully helpful in my own striving to make something literary.

David Milch’s Active Imagination

I don’t linger a lot in self-delusory exercises in control – don’t describe too much or even have to have an objective idea of what a scene is about. My only responsibility to an active imagination is to submit myself to a state of being where characters other than I move around and I try to serve that process. I just get to that – I don’t plan scenes. I don’t outline. I feel my way along because I have come to believe everything you believe about writing instead of writing is bullshit. It doesn’t apply. You can make an outline but an outline is not going to work because it doesn’t apply to what is actually written. I am content to work in uncertainty much more than I used to be – content to not know where I am going.

The Onion nails Intelligent Design with this bit of satire. What I find disturbing is that the story sounds completely believable, which only illustrates how crazy the real situation is to begin with.

The Onion | Evangelical Scientists Refute Gravity With New ‘Intelligent Falling’ Theory
“Things fall not because they are acted upon by some gravitational force, but because a higher intelligence, ‘God’ if you will, is pushing them down,” said Gabriel Burdett, who holds degrees in education, applied Scripture, and physics from Oral Roberts University.

Wake-Up Call

Companies of the world, pay attention. These are your future customers.

Pay attention not just to the fact that they’re online, but what they’re doing and how. Pay attention to how integrated their physical space is with their infospace, and how relational their infospace has become. They bounce between applications, they earn and spend “virtual” money in massive multiplayer environments. They live in this place.
And your cute little web-widgets that *might* be finished at the end of their 3-5 year development programs are going to feel to them about as sophisticated and useful as a tire swing feels to a circus acrobat.

Pew Internet & American Life Project Report: Pew Internet: Teens and Technology

Today’s American teens live in a world enveloped by communications technologies; the internet and cell phones have become a central force that fuels the rhythm of daily life.

The number of teenagers using the internet has grown 24% in the past four years and 87% of those between the ages of 12 and 17 are online. Compared to four years ago, teens’ use of the internet has intensified and broadened as they log on more often and do more things when they are online.

via JOHO/Blog

Like so many other great ideas and technologies for the Internet, Flickr emerged from a soup of game thinking. Nice interview with JJG:

adaptive path » an interview with ludicorp’s eric costello

JJG: How much of The Game Neverending would you say is still present in Flickr in its current state?
EC: I think the spirit of it is there, definitely. Someone once described Flickr as “massively multiplayer online photo sharing.” I think that’s a good description. There’s kind of a feeling of exploration within Flickr. It feels like a world where you can move around and find wonderful things – the wonderful things being the great photographs that people upload.
And because it’s got the social network aspect of it, you can kind of build neighborhoods within Flickr. The page in Flickr that shows you all the photos from your friends and family is very much a space like you might find in a game. It’s a place where you go and interact with the people you know.

Cool article (via bloug) for a number of reasons. But the one thing that really popped out for me was the fact that missionaries, in order to convert other cultures to Christianity, are first converting other cultures into written-language cultures.

It’s like “terraforming” (converting a planet into one hospitable to earth life forms), but for religion. The missionaries are certainly creating written languages for spoken ones in part to just help societies enter the global community (I suppose), but also to get them on track with Biblical scripture and whatnot.

And it begs a question, for me (and not out of disrespect, because I still consider myself Christian), about the nature of religious truth. Or truth in general. How does the cognitive landscape shift when a culture’s language suddenly becomes writable and readable? How does it affect history and communal understanding?

I can’t imagine a more fundamental, bone-level shift in reality for human beings.

How Linguists and Missionaries Share a Bible of 6,912 Languages – New York Times

Based in Dallas, S.I.L. (which stands for Summer Institute of Linguistics) trains missionaries to be linguists, sending them to learn local languages, design alphabets for unwritten languages and introduce literacy. Before they begin translating the Bible, they find out how many translations are needed by testing the degree to which speech varieties are mutually unintelligible. “The definition of language we use in the Ethnologue places a strong emphasis,” said Dr. Lewis, “on the ability to intercommunicate as the test for splitting or joining.”

Interestingness

I’m still giddy, even in my jaded state, whenever I hear about yet another yummy infospace architecture element that creates emergent structures.

I’m not even sure if I just said anything that makes sense … what’s the official terminology?

Anyway, now Flickr is using some fun math to track the ‘interestingness’ of photos on the site.

Flickr: Explore interesting photos around Flickr

There are lots of things that make a photo ‘interesting’ (or not) in the Flickr. Where the clickthroughs are coming from; who comments on it and when; who marks it as a favorite; its tags and many more things which are constantly changing. Interestingness changes over time, as more and more fantastic photos and stories are added to Flickr.

Stirring

I’d like to point out this first-rate publication: Stirring : A Literary Collection

My endorsement may or may not have anything to do with anything published in this month’s edition.

(The poem is from about 9 years ago, but I’d never sent it anywhere. It’s really strange to see it in print now, in different life circumstances.)

Great interview with Stephen Colbert

AlterNet: MediaCulture: A Super Straight Guy

COLBERT: First of all, I am a super straight guy. I grew up in Charleston, South Carolina, and I am perfectly comfortable in blue blazers, khaki pants, Brooks Brothers suits and regimental striped ties. It’s just genetic. I love a cocktail party with completely vacuous conversation, because I grew up in it.

Great interview with Stephen Colbert

AlterNet: MediaCulture: A Super Straight Guy

COLBERT: First of all, I am a super straight guy. I grew up in Charleston, South Carolina, and I am perfectly comfortable in blue blazers, khaki pants, Brooks Brothers suits and regimental striped ties. It’s just genetic. I love a cocktail party with completely vacuous conversation, because I grew up in it.

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